The role of artists and art in the period of Latin American dictatorship

Authors

  • Deiselene de Oliveira Barros Sánchez Universidad de Guadalajara

Keywords:

dictatorship. Latin America, artistic responsability.

Abstract

This article presents an overview of how art was organized, decipted and viewed during periods of military dictatorship in countries including Brazil, Cuba, Mexico, Uruguay and Chile. The countries are critical to understanding the artistic transfomation of contemporary Latin America, especially with relation to their artistic work responsabilities in the 1960s, 1970s and 1980s.

Author Biography

Deiselene de Oliveira Barros Sánchez, Universidad de Guadalajara

Brasileira, natural de Brasília, graduada em Artes Cenicas pela Universidade de Brasília,  Mestre em História pela Universidade de Guanajuato/ México e atualmente doutoranda em Arte e Cultura na Universidade de Guadalajara.

References

Foix, M. (2012) “Memoria del teatro uruguayo a través del crítico Jorge Pignataro Calero”. Recuperado de: http://www.centrocultural.coop/revista/articulo/311/memoria_del_teatro_uruguayo_a_traves_del_critico_jorge_pignataro_calero_acerca_de_su_libro_-quotmemorias_de_un_critico_teatral-quot.html

Holfeldt, A. (1999) A fermentação cultural da década brasileira de 60. Porto Alegre: Revista FAMECOS, n. 11. Recuperado de: http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/viewFile/3050/2328%

Martínez Corrêa, J. C. (1998) “Romper com a Família, Quebrar os Clichês”. In: Staal, Ana Helena Camargo. (Org.). José Celso Martinez Corrêa – Primeiro Ato: cadernos, depoimentos, entrevistas (1958-1974). São Paulo: Ed. 34, 1998, p. 27; 30;

Navarro, Claudia (2001) Dramaturgia y género en el Chile de los sesenta. Chile: LOM Ediciones

Pellettieri, O. (2006) Teatro del pueblo: una utopía concretada. Buenos Aires: Galerna S.R.L

Versényi A. (1996) El teatro en América Latina. Cambrigde: Cambridge University Press

Carpani, R. (1961). Arte y Revolución en América Latina. Buenos Aires: Coyoacán.

Bourdieu, P. (2001): Los herederos. Los estudiantes y la cultura, Alianza Editorial, Madrid.
Sartori, Giovanni (2007), ¿Qué es la democracia?, Taurus, Madrid.

Sanabria, A. (2010) A manteles: una muestra de honestidad. Recuperado de: http://www.sigtemedia.net/teatro/general.php?idmg=3

Cedré. O. (1994) La Aventura del Escambray. La Habana: Editorial José Martí.

Boal, A (2009): "A Estética do Oprimido". Editora Garamond: Rio de Janeiro.

Downloads

Published

2014-12-11

How to Cite

Barros Sánchez, D. de O. (2014). The role of artists and art in the period of Latin American dictatorship. Scientia Plena, 10(12). Retrieved from https://scientiaplena.emnuvens.com.br/sp/article/view/2130

Issue

Vol. 10 No. 12 (2014): December/Dezembro 2014

Section

Democracia e ditadura no Brasil e na América Latina

License

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work